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I want to emphasize that I am not trying to invoke Godwin’s law in demonstrating the parallels between this and the Obamessiah hysteria, but parallels there are (not in the ends, but in the deeper structure of the infrarational mysticism). As we continue this series, I will be very curious to analyze the language and imagery of Obama’s acceptance speech at his Nuremburg-like mass-hypnosis rally at Invesco Field before 75,000 adoring “fans” (which is the proper term, since this whole creepy exercise is “infra-poltical” and emotional, devoid of intellectual substance).
I just did a quick google search, and found this typical story, which says that “In a little more than a week, 75,000 lucky ticket-holders will head for Invesco Field, ready to usher in a new era of photos for their Facebook pages…. And eventually, upon the entrance of the Great Half-White Hope, they will be reduced to one giant goosebump…. But it won’t just be the arrival of Barack Obama that will send chills down their spines. Obama, no doubt, will enter the stadium to the tune of some inspiring piece of pop music. Whose song will it be?…. Which song will electrify the crowd next Thursday?”
I don’t know, WWLD? That is, what would Leni Riefenstahl recommend? A little Wagner? Interestingly, there is no question whatsoever that she was a gifted artist. But look at the mesmerizing effect Hitler had upon her will — and she is hardly alone in this regard. Van Vrekhem relates story after story of how strong men — generals, diplomats, artists, and journalists — were reduced to Jello in his presence. He clearly transmitted a kind of supernatural power to which many individuals attested. Is there an “artist” in Hollywood, or a celebrity journalist, who hasn’t fallen under Obama’s spell? Yes, a few, but only a few. .
(h/t: M. Lybbert)
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